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was a versatile Japanese amateur photographer who specialized in landscapes.〔Tatsuo Shirai, "Seasonal Aspects of Japan" , unpaginated postface to Nishiyama, ''Shunkō shūshoku'' / ''Seasonal Aspects of Japan'' (Tokyo: Asahi Sonorama, 1979).〕 Born in Tokyo in 1893 as Kiyonosuke Nishiyama〔So tentatively inferred from , as specified (without any reading) by ''Nihon no shashinka'' () / ''Biographic Dictionary of Japanese Photography'' (Tokyo: Nichigai Associates, 2005; ISBN 4-8169-1948-1), pp. 315–16. Despite the English-language alternative title, all in Japanese.〕 (), Nishiyama became interested in photography at 15. He intended to become a professional photographer and learned retouching in a photographic studio at Ryōgoku, but never turned professional, instead in 1921 setting up a photographic supplies shop, Heiwadō (), in Nihonbashi, and at about the same time starting up and leading a photographic club, the Pleasant Club (, ''Purezanto Kurabu''), and submitting his photographs to photographic magazines.〔''Nihon no shashinka'' / ''Biographic Dictionary of Japanese Photography,'' pp. 315–16.〕 In 1922 Nishiyama won the first prize for his submission, taken with a Vest Pocket Kodak, to a competition at the Heiwa Kinen Tōkyō Hakurankai ().〔 A year later he lost all his photographs and cameras in the Great Kantō earthquake, but persevered and held the first exhibition of the Pleasant Club in 1924.〔 Nishiyama was impressed by the "light and its harmony" aesthetic of Shinzō Fukuhara, who invited him to join the Japan Photographic Society; Nishiyama soon thereafter had a solo exhibition at the Shiseido Gallery.〔 From 1925 Nishiyama began the first of several series of photographs in ''Photo Times'' (, ''Foto Taimusu'') magazine; these were on a variety of subjects but most notable was Nishiyama's portrayal of the cityscape of Tokyo after the earthquake.〔 From 1928 Shirai used a Rolleiflex camera, and turned this to photographing Nikkō and bunraku〔 (the subjects of solo exhibitions; he later added a Leica, but from 1959 changed to a Nikon F that he always used with a 50 mm lens.〔 Virtually all of Nishiyama's prewar work was destroyed in the bombing of Tokyo.〔 Nishiyama continued to exhibit and publish after the war. In 1954 he won the PSJ award,〔(List of past awards ), PSJ. Accessed 20 December 2009.〕 and in 1977 he was awarded the Order of the Rising Sun, 5th class, for his services to photography.〔Chronology , unpaginated appendix to Nishiyama, ''Shunkō shūshoku'' / ''Seasonal Aspects of Japan'' (Tokyo: Asahi Sonorama, 1979).〕 He died on 5 March 1983.〔 Nishiyama's work is held in the permanent collections of the Tokyo Metropolitan Museum of Photography〔Jinbo Kyōko (), "Nishiyama Kiyoshi", in ''Nihon shashinka jiten'' () / ''328 Outstanding Japanese Photographers'' (Kyoto: Tankōsha, 2000; ISBN 4-473-01750-8), p.243. Despite the English-language alternative title, all in Japanese.〕 and Nihon University (which preserves what little remains of Nishiyama's prewar work).〔 ==Solo exhibitions by Nishiyama== *Shiseido Gallery (Ginza, Tokyo), 1920s〔〔 *"Nikkō" (), Matsuzakaya (Ueno, Tokyo), 1929. Photographs of Nikkō.〔 *"Bunraku" (), Nihon Salon (Ginza, Tokyo), 1935. Photographs of ''bunraku.''〔 *"Nihon no fūbutsu: Kita kara minami" (), Matsuya (Ginza, Tokyo), 1958. Photographs of Japanese scenery.〔 *"Okinawa no fūbutsu" (), Marunouchi Gekkō Gallery (Marunouchi, Tokyo), 1960. Photographs of Okinawan scenery.〔 *"Nihon no tō" (), Marunouchi Gekkō Gallery (Marunouchi, Tokyo), 1964. Photographs of Japanese pagodas.〔 *"Koyomi" (), Marunouchi Gekkō Gallery (Marunouchi, Tokyo), 1973. Photographs of the calendar.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Kiyoshi Nishiyama」の詳細全文を読む スポンサード リンク
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